Movies

Zip it

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Zip it

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Style Wars

And from the previous post, I stumble upon this documentary on New York graffiti circa 1983, Presented by Tony Silver & Henry Chalfant. Check out the Style Wars site also.

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Style Wars

And from the previous post, I stumble upon this documentary on New York graffiti circa 1983, Presented by Tony Silver & Henry Chalfant. Check out the Style Wars site also.

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Looking for Mr. Gill

Exploring the legacy that Eric Gill, maverick genius of the Arts and Crafts Movement, has left to Ditchling, the early twentieth-century setting for his controversial experiments. This episode is Luke Holland’s personal journey to search for the controversial artist’s legacy

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Looking for Mr. Gill

Exploring the legacy that Eric Gill, maverick genius of the Arts and Crafts Movement, has left to Ditchling, the early twentieth-century setting for his controversial experiments. This episode is Luke Holland’s personal journey to search for the controversial artist’s legacy

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Red is not funny

Tyler Helms shows us how red is not funny.

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Red is not funny

Tyler Helms shows us how red is not funny.

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Paula Scher "Type is image"

Paula Scher, finalist of the National Design Awards for 2007 in graphics, shows how the type can be image, check it out.

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Paula Scher "Type is image"

Paula Scher, finalist of the National Design Awards for 2007 in graphics, shows how the type can be image, check it out.

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Trollbäck + Company creates titles, animates for director Gary HusTwit’s feature film Helvetica

New York-based visual and conceptual creative studio Trollbäck + Company recently worked with veteran producer and first-time director Gary Hustwit on Helvetica, his in-depth look at the proliferation of the ubiquitous typeface, which celebrates its 50th anniversary this year. With

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Trollbäck + Company creates titles, animates for director Gary HusTwit’s feature film Helvetica

New York-based visual and conceptual creative studio Trollbäck + Company recently worked with veteran producer and first-time director Gary Hustwit on Helvetica, his in-depth look at the proliferation of the ubiquitous typeface, which celebrates its 50th anniversary this year. With

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Type Animation

Following the success of the Pulp Fiction type animation, curiously not posted on this site (until now), here are some more videos for you to see. Kapitaal by Studio Smack Why don´t we? What Jesus did What Barry says Not

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Type Animation

Following the success of the Pulp Fiction type animation, curiously not posted on this site (until now), here are some more videos for you to see. Kapitaal by Studio Smack Why don´t we? What Jesus did What Barry says Not

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Neville Brody at ESAD – Video

ESAD has updated Personal Views with a video from Neville Brody conference.The next one to speak is Spiekermann on April, 13. (Entrance Free)

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Neville Brody at ESAD – Video

ESAD has updated Personal Views with a video from Neville Brody conference.The next one to speak is Spiekermann on April, 13. (Entrance Free)

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Designing multi lingual OpenType fonts

Thomas Phinney (Adobe’s Product Manager for Fonts & Global Typography at Image iT, Bologna, Italy) talks about designing pan-european OpenType fonts.

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Designing multi lingual OpenType fonts

Thomas Phinney (Adobe’s Product Manager for Fonts & Global Typography at Image iT, Bologna, Italy) talks about designing pan-european OpenType fonts.

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Wim Crouwel Interview

Interview with Dutch graphic designer and typographer Wim Crouwel at Galerie Anatome in Paris, 02/2007, from Etapes.

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Wim Crouwel Interview

Interview with Dutch graphic designer and typographer Wim Crouwel at Galerie Anatome in Paris, 02/2007, from Etapes.

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The word factory

This is funny!… Liam Johnstone brings us a great animation that explains how our language is put together as one film crew enters a modern word factory to document the everyday lives of the twenty six letters who work there.

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The word factory

This is funny!… Liam Johnstone brings us a great animation that explains how our language is put together as one film crew enters a modern word factory to document the everyday lives of the twenty six letters who work there.

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